Kylin Gallery has been established to encourage cultural cross-fertility through education, marketing, and, most especially, presentation of and support for art and artists that consciously “build bridges” between East and West. By opening in Beverly Hills, Kylin Gallery has targeted the Pacific Ocean as the body of water it will span with its metaphorical bridge. But this spirit of bridge-building will lead the gallery in all appropriate directions. Its program will feature art by Eastern and Western artists alike who look across the geographic and aesthetic divides in order to marry and merge idea and practice. The results will be not simply hybrid, but fused: in the art at Kylin, it will be hard to tell where one civilization leaves off and the other comes in, but it will be easy to see that both are present.
A pioneer of the British Pop Art movement in the early 1960s alongside Richard Hamilton, David Hockney gained recognition for his semi-abstract paintings on the theme of homosexual love before it was decriminalized in England in 1967. In We Two Boys Clinging Together (1961), red-painted couples embrace one other while floating amidst fragments from a Walt Whitman poem. After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine. Experimenting with photography in the mid-1970s, Hockney went on to create his famous photocollages with Polaroids and snapshot prints arranged in a grid formation, pushing the two-dimensionality of photography to the limit, fragmenting the monocular vision of the camera and activating the viewer in the process. A versatile artist, Hockney has produced work in almost every medium—including full-scale opera set designs, prints, and drawings using cutting-edge technology such as fax machines, laser photocopiers, computers, and even iPhones and iPads.